In the previous posts in this series, I’ve presented
perspectives on whether the Corporation for Public Broadcasting (CPB) should continue to receive funding, and reviewed the history of radio and television broadcasting to acknowledge the federal government’s role in managing scarce
resources and promoting innovation in both media.
In this concluding post, I turn to a closer examination of what
has to take place for a proposed budget cut to actually happen. I’ll rely on
the excellent introduction to the budget process in A People’s Guide to the Federal Budget, available from the Armacost Library collection.
The executive and legislative branches of government share
responsibility for determining federal spending levels. The process typically begins
a year in advance when the president and cabinet members decide on policy
priorities. (Thus, the current debate would impact the CPB in fiscal year 2018.)
The Office of Management and Budget (OMB) instructs federal agencies how
to submit their budgets in accordance with these priorities, and agencies
submit proposed budgets for OMB approval. (In January, a document written by
OMB staffers as they prepared these instructions for agencies triggered the New York Times article that drew widespread attention to the possibility of a CPB budget cut.)
Once OMB has approved agency spending proposals, Congress
translates these executive branch guidelines into binding laws. It is important
to distinguish between two types of Congressional laws affecting agencies – authorizations that give the agency legal
permission to exist, and appropriations
that commit the money it needs to operate.
Federal agencies are gathered together into twelve budget requesting groups, and each group requires its own
appropriations bill. The House and Senate each have responsibility for writing their
own sets of appropriations bills which are eventually reconciled; thus twelve laws are required to pass a budget. (The Corporation for Public Broadcasting falls into
the appropriations request for Labor, Health and Human Services, Education and related agencies.)
Representatives and Senators sitting on the House and Senate
Appropriations Committees are the influential women and men who write the spending
bills. Each bill is delegated to a standing subcommittee, and the subcommittee Chair
commonly has the privilege of writing the first draft (the “chair’s mark”). Committee
and subcommittee chairs belong to the political party that won a majority in
the most recent House or Senate election, and other committee members must
negotiate with the chair if they want to revise the initial mark. Committee
members regularly invite experts to advise them as they author their drafts. Many
noteworthy hearings are broadcast live on C-SPAN. (The Chair of the House Appropriations
Labor, HHS, Education and Related Agencies Subcommittee is Tom Cole (R-OK) and
the Chair of the Senate Appropriations Labor, HHS, Education and Related
Agencies Subcommittee is Roy Blunt (R-Mo). The House Subcommittee recently invited CPB
officials to testify at a two hour hearing on March 28 that was recorded by C-SPAN.)
Once the appropriations subcommittee finishes marking up an
appropriations bill, it makes its way through the full committee and eventually
is introduced for floor debate. This can take a long time as representatives propose
amendments, earmark spending for favored programs or try to cancel out language
favored by the other party. The schedule of committee hearings and floor
debates is published on the House and Senate websites, and full remarks are
printed in the Congressional Record published daily by the Library of Congress.
Eventually, appropriations bills go up for a vote in each house of Congress.
Once the bills are passed, a conference committee composed of members from the
House and Senate have to resolve differences between the House and Senate
versions of each appropriations bill before it can be signed into law by the President.
All budget proposals must follow this long and complicated
process to take effect. There are many points in the process where lawmakers
could propose a federal funding level similar to the $445 million the
corporation has received in recent years (Corporation for Public Broadcasting 2015). There are also numerous
points where you can influence your local representatives, whether they are
serving on the appropriations committee, having their say on the bill during
floor discussion or reconciling the House and Senate versions in conference.
Here’s a summary of the government information resources I
mentioned above that can help you keep up with the latest updates on CPB
appropriations, or any other legislation of interest:
Sanjeet Mann
Arts & Systems Librarian
University of Redlands
Sources
Corporation for Public Broadcasting. 2015. “CPB’s Past
Appropriations.” March 24. http://www.cpb.org/appropriation/history.
Kramer, Mattea. 2012. A
People’s Guide to the Federal Budget. Northampton: Interlink Books.
Lafraniere, Sharon and Alan Rappeport. 2017. “Popular
Domestic Programs Face Ax Under First Trump Budget.” New York Times, February 17. https://www.nytimes.com/2017/02/17/us/politics/trump-program-eliminations-white-house-budget-office.html
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